Monday, April 8, 2019
Monday, March 18, 2019
Thursday, January 24, 2019
The Architect at Work
If we try to separate certain capabilities of an architect, we’ll see that there are different types of professions that study the same thing, but what makes an architect different from every other professional and artist, is the way of generating the three dimensional forms of buildings. From different studies, Geoffrey Bawa came across three more significant ways of designing that Architects use: pragmatic, iconic, analogic and canonic.
Pragmatic design is the way of generating a space by it’s natural surroundings, thus site analysis is an important part on this type of design. We can identify form of design being used since the beginning of humanity, when they use leather to create shadows, or when they created igloos to survive the low temperatures.
Iconic design is the way of designing according to a certain image that is proved to be efficient for a certain reason. For example in some cultures a couple of families live in one big house and in some others only one family lives in a smaller house, because there’s an image created for them that they that’s the type of design for their living style. In Albania, when the bunkers were proved to be efficient, there were more than 750.000 of them built through the whole country.
Analogic design can be understood by the meaning of it’s name alone. Just like the analogic words in literature, who have similar usage to each-other, the same is for this type of design. So when an Architect creates a design based on a concept that is already familiar, we have an analogical design.
Canonic design is the grid created in a design so regularity, pattern and order can be achieved. We can see this type of design in Plato’s four primary bodies, Frank Lloyd Wright’s Unity Temple Plan and many other examples that we occur on our day to day life.
The Architect cannot solve a building design problem without generating a three-dimensional design.
Saturday, January 19, 2019
Seating Arrangement
Sunday, January 13, 2019
Solids and Cavities in Architecture
Architecture is an art that on first glance is given to us
by visual observation. Something that is mistaken often is that we put focus
only on the part of the design that is there (solids) and we forget how important
the parts that are missing (cavities) are.
The way we look at designs and sketch our ideas is more
important than we are aware of. There’s solid-minded architects and
cavity-minded architects. This depends on the way the architect chooses to
start a design, from the solid part or the spaces. For example, in some
cathedrals the detail and uniqueness of the design is focused on the mass solid
part (Gothic Architecture), in some others it is focused on the big spaces on
the interior of the cathedral (Renaissance Period).
Frank Lloyd Wright shows a perfect example on Falling Water about
the ways to achieve harmony between them two, and now to use them as just a
vast ornament, which has failed a lot of times previously when other architects
have tried to achieve it. Frank Lloyd Wright on his design shows the most
important and beautiful ornament that other architects have misses: nature.
This class in my opinion was one of the most important ones
because it connected really close with the studio designs that we make. For
example in our two cubes we had two different main focuses, because in the
first cube we had to think about the cavities we were going to create from the
amount of Styrofoam that we carved and in the second cube we had to design with
solids around cavities. In the current studio design we also have to put a lot
of thinking when it comes to solids and cavities and the way we are going to
portray them in our design.
I think learning more about the importance of solids and
cavities will benefit us a lot even in the future projects and throughout our
Architecture journey because it is one of the most crucial parts while
designing.
Wednesday, January 9, 2019
From the past to the present
What makes Architecture unique from all the different arts
is the need for building construction thinking.
Nervi made an experiment where he looked at architectural works
from two different aspects: from a Builder’s point of view and from a
non-technicians point of view.
After the dual investigation he came to the conclusion that
a building may be perfect technically and not be aesthetically pleasing, but an
architectural work that is aesthetically pleasing is always accomplished on it’s
technical side. This is because if we make a technically perfect work, the
rules followed and it’s correctness make it aesthetically pleasing.
Building technology has to make use of the solid materials,
define spaces on their particular functions and protect the structure from
external elements.
The most important part of building correctly are:
Stability- a building has to have resistance to external
forces. For example in places with a lot of earthquakes building construction
changes to adapt to the needed conditions.
Durability- different materials are used to support
different conditions so durability can be achieved.
A functional structure and economic efficiency are the
result of the proper proportioning of the sizes and relationships of spaces.
If we compare architectural projects from the past up until
very recently, the technological refinement and addition of ornament have
improved massively, but that doesn’t mean that they haven’t been acknowledged
in the past as well. For example, if we see the columns of the buildings, they
are built for technical means, but the refinement and decoration of them in the
top and bottom shows us that even if it has been improved drastically, people
even in the ancient Greek period had the aesthetic sense and were conscious of
this fact.
To sum this up, the relation between building construction
and technology has always been there and there are many building that show
this. They go together and to have a successfully constructed building we have
to express and achieve both of them.
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